Archive for the ‘Dave “The Animal” Campbell’ tag
In the late 1990s, before she would go on to front Dixie Dirt, singer-songwriter Kat Brock teamed up with her high school boyfriend Joe McLemore — the guy who taught her to play guitar — and drummer-about-town Dave “The Animal” Campbell to form the band subbluecollar.
The group released the “Daydreams” EP and parted ways amicably when Brock felt called in a different direction. McLemore and Campbell would go on to form The Coveralls with Bryan Garvey and Chris Canada, Dixie Dirt came and went, Brock moved to Nashville and then to Brooklyn, eventually coming back to East Tennessee four months ago with a trunk full of dreamy shoegaze home recordings. We’ll catch you up on her journey and the road back to Knoxville — she’s working at Tomato Head on Market Square and aiming to become a certified personal trainer — and on her upcoming solo show at The Pilot Light on Tuesday, March 26. Look for the story in Thursday’s Weekend edition.
The big news, though, is her journey back to rock. Her searingly personal songs are part of her, but back home, she wanted to have fun. Her first weekend in town, she called McLemore and the two played; wanting to start a rock band, she went to see The Coveralls at Barley’s Taproom.
“That’s when I realized that I don’t want to assemble a band; I want them,” Brock told me today. “They rock!”
And so subbluecollar is back in business.
“It makes me happy,” she said. “They have a brotherhood I can’t explain. It’s something I’ve never seen before, and it’s like their little sister came back. We have a history that really shows.”
They’ve been practicing hard for a show coming up April 20 at Barley’s in Knoxville’s Old City and are planning to hit the studio soon after; the bulk of the material is new, with only four songs from the late 1990s — “Trackstar,” “Rocketship,” “Funny Red Eyes” and “Anthem” — surviving.
“It’s just nice. Really, really nice,” Brock said.
Jonathan Sexton outside of Bread of Heaven in Alcoa, 2011
The last time Jonathan Sexton performed in East Tennessee was on a stage in Maryville at the 2011 Foothills Fall Festival, but that’ll change later on this month.
Sexton, former bandleader of Jonathan Sexton and The Big Love Choir and a former member of Oversoul, Redhouse Project and The Whiskey Scars, will debut his new project, Badlands, on Thanksgiving night at Preservation Pub in downtown Knoxville. Since the launch of the mobile software platform Artist Growth — a project he founded with Knoxville expatriate and Nashville singer-songwriter Matt Urmy — he simply hasn’t had the time, he said.
“Everything’s finally kind of leveling out, and that’s why I’ve had time to do a band,” he said. “I don’t have time to get in the van and drive all over the country, but I’ve got time to rehearse a night a week and play a gig every now and then. Thanksgiving at Preservation Pub has a special place in my heart, because that’s when and where Whiskey Scars started. It’s just a good night.”
Badlands features former Big Love Choir members Andrew Sexton (Jonathan’s dad) and drummer Dave “The Animal” Campbell (also a member of The Coveralls and a number of other projects) on vocals. The group is rounded out by Andrew Bryant on drums and Aram Takvoryan on bass. It’s a cover project, Sexton said, and the guys play “mostly ’70s hard rock.”
“Thin Lizzy, AC/DC, Bad Company,” he added. “I was just looking for a reason to hang out and rock out, but with no pressure, and I wanted something that can exist without me. If those guys get a gig and can’t come, they can find a sub, where as if I’m the lead singer and the songwriter, that’s not the case.”
In the meantime, he’s looking at putting together an original Jonathan Sexton project sometime next year. He still travels to Nashville three days a week for Artist Growth business, and he’s looking at an August date for a wedding to his long-time girlfriend (and Big Love Choir bandmate) Elodie Lafont. In the meantime, though, he’s excited about playing music again.
“I want to play for the love of it and not to chase a career; just something on the side that won’t take up a lot of time but will scratch an itch,” he said. “I suffer from the same thing any artist suffers from — wanting to do someting different — but I haven’t had time or energy to commit to deciding on what’s next for me as a songwriter and an original project. I’m thinking real hard about it, and I still jot down ideas all the time. The songwriting muscle still works.”